Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Tuesday, April 5, 2011

F1RST IMPRESSIONS: Dog Days

The Spring 2011 anime season has begun, and it couldn't have happened a day sooner! Now that the birds are back and the buds are starting to bloom, we're taking a new approach to seasonal reviews here at AniMaybe. We'll hit you with our impressions regarding the first episode, then update you with impressions in the middle of each season.

Today, we hit you with Dog Days, an original anime TV series from Aniplex and Seven Arcs.

Storyline: 1

You must already know of Cats & Dogs, that live-action Warner Bros. movie with Jeff Goldblum with all the cats and dogs waging war on each other, right? Well, apparently that also equates to all those dog-eared and cat-eared people in anime. They fought in space in Asobi ni Ikuyo!, so now they take their battle to land.

In the far-off land of Flonyard, the inumimi people of Biscotti (as in dog biscuits! Get it? GET IT?!) are trying to survive an invasion by the nekomimi Galette Lion army without much progress. As a last resort, the princess of Biscotti, Millhiore, summons for a hero from another world who can physically stand up to the army, and her summoner—a pet dog, no less—brings back Shinku, a middle-school boy from Earth with physical prowess way above average. Since the "war" between the two factions turns out to be more entertainment than anything, Shinku jumps without looking and decides to join Biscotti in their defense.

Heard it all before, right? This is basically M.A.R. all over again, save for the suddenly-capable blonde boy being replaced by an actually-capable blonde boy. Even lamer, there's no actual "war" here—the armies traverse a course similar to Ninja Warrior, and when a faceless minion is pummeled by an attack it turns into that creepy cat-head mascot from Lucky Star. Hardly original and not really entertaining at all.

Animation: 2

The animation isn't low-grade here, but that shouldn't automatically justify it as average. It likely would be average if it weren't for the little things—the lazy use of non-descript characters on the battlefield, the comic use of the defeated fuzzball cats, and the islands-in-the-air backgrounds, just to name a few. The true evidence of unoriginality, however, comes in the form of "Cellkull", oversized birds used for transportation. At what point can we assume that Aniplex is going to get sued for the unlicensed use of Chocobos?

Characters: 1

It's appropriate that most of the characters in this show are basically stick figures with animal ears—there is absolutely nothing special about them. Shinku is your flawless hero, and his best friend is a twin-tailed Naru-clone minus the tsun. Millhiore is your pretty-in-pink princess leading a good-guys squadron. The enemy is comprised of a skimpily-clad warrioress leading a brigade of sports announcers and ho-hum soldiers. We've all seen the game, played it, and returned it to Gamefly.

Track: 1

Oh, Mamoru Miyano. I thought you played a good aloof guy with positive energy in Durarara!! (Masaomi), a good mecha-piloting hero with positive energy in Star Driver (Takuto), and a good sword-weilding hero with positive energy in Kingdom Hearts (Riku). So why are we hearing your voice with another positive-energy hero in Shinku? You're type-casting yourself, pal.

That being said, there's nothing special about the acting or soundtrack. I expect the CD to be in the bargain bin in your local Tsutaya Records in no time.

"Hype": 1

There hasn't been too much spoken about Dog Days before the season started. Yes, you have some dependable producers in Aniplex and a decent director in Keizô Kusakawa (Sekirei, Asura Cryin'), and a lot of the staff working this show worked on Magical Girl Lyrical Nanoha, perhaps the only significant accreditation to their names. There's nothing to keep this series afloat from past achievements or even light novels.

Overall: 6/25
If Dog Days was a video game with a better title to it, you might get people excited about it. It would involve plenty of bloodless fighting and joystick work to get past playground obstacles you'd see on an episode of Wipeout. The animated intermissions would be slightly entertaining, and the final battle would be epic in its challenge. You'd save the country, then go back home to the hottie girl you had a crush on before you leaped through space.

However, Dog Days is no RPG, leaving the viewer to watch a show with no real sales pitch. There's nothing to be amazed about, as the animation is plain, the acting is yawn-inducing, and the characters are bound to be ignored for cuter cat-eared Akihabara fare. The only things you're guaranteed to get are a bunch of self-made music videos with Florence and the Machines playing in the background.

These Dog Days were over before they even started.

Wednesday, May 5, 2010

Spring 2010 - Ichiban Ushiro no Daimaô



Make no mistake about it—the Harry Potter series has affected the stream of narrative globally to the point that it is once again cool to be enthralled with magic. The storm's wake in Japan not only changed the dynamics of manga (especially in Comic Market, where the dôjin world drooled all over the series), but it made the inevitable introduction of magic into school comedies easier. Harry Potter made way for his Japanese cousin Negi Springfield (Ken Akamatsu's Negima!), only to have the series dramatically raise the panty-shot-to-magic-spell ratio. Since the lasting success of Negima!, there have been a few "magic-academy" titles known more for their comedic situations (Gakuen Alice, Zero no Tsukaima, To Aru Majutsu no Index), as well as their fan service (Maburaho, Happiness, MxO).

Late out of the gate is Ichiban Ushiro no Daimaô ("The Demon King In The Back"), this season's ode to embarrassing magical accidents. The show is directed by the experienced Takashi Watanabe, who has directed magic fantasy (Slayers, Lost Universe, Shakugan no Shana) and just a smidge of fan service (Ikki Tousen), while Artland is providing the production (Megazone 23, Mushishi, Kateikyô Hitman REBORN!).

Stop me if you've heard this one before, but the story deals with an orphaned boy coming of age by moving to a new academy (coughNarutocough). Akuto Sai comes into the new city with a cloak billowing about himself, looking to right the world in the future as a high priest, only to get a kick to the face by Junko, a female descendant of a class of warriors, when he tries to help her grandmother out. Of course, during the process we get a glimpse of just how devoted Junko is to the samurai class with...ahem...a peek at her fundoshi (0:33 in the above movie). While things are patched up afterward, Akuto gets an alarming revelation when the decider of future occupations, a comic chain-smoking crow, declares that Akuto is destined to be a demon king!

This throws the class into a frenzy of distrust and accusation, as everything Akuto does to deny the prediction only knits him closer to his destiny and pushes him to the back of the classroom (hence the title). Junko ends up vowing to destroy him during the first class, but the initial battles somehow unlock the hidden potential within Akuto, and the resulting explosion leaves Junko bereft of clothing (much like Asuna's scenarios in Negima!). The other characters end up assembling in due time—the ditzy Keena ends up fighting to protect Akuto by episode's end, while the emotionless Korone appears without a real reason to appear. The other harem characters make their presence known to the viewer and appear to have more conniving intentions.

There doesn't appear to be anything new about Daimaô, as the whole idea of the completely misunderstood male as a target of the other females is about as old as Urusei Yatsura. The redeeming value could come in the form of Akuto's steady success--if he can convince the others about his good intentions, I can see the series being decent, but the sexcapades just seem to drive the show towards ridicule right off the bat. The more important questions have been addressed elsewhere—Akuto, how in the world weren't you told about how the academy works before you got there, and how in the world haven't you figured this whole "Demon King" thing already? And is society so dumb that they have to listen to a talking crow spirit in order to get their marching orders?

It's hard to ignore the glaring similarities to the other "magic-academy" shows out there (hell, one character has a talking witch's hat straight out of the Harry Potter films), so I'm not sure if the series is worth following to an expected ending. If Akuto actually decided to change his tune and become a "demon king", as the pictures have tried to hint, maybe the show would have some unexpected direction. Otherwise, Daimaô is just another apprentice that will never become a wizard.